Music Journal of Northern Europe № 2(18), 2019

Contents

Tatyana S. Ekimenko, Marina F. Tsymbal
Concerto for harp and orchestra by Boris I. Tishchenko: about thematic invention and interpretation of the parts by principal harps | 1-22

Tatyana V. Kraskovskaja
“Grand style” phenomenon in the cantata-oratorial creative work of the soviet Karelia composers and analytical modes of its analysis | 23-30

Svetlana V. Kosyreva
Project activities as an instrument of interdisciplinary approach to the development of the scientific research of the Petrozavodsk conservatoire | 31-47

Andrey V. Dikoev
Crowdsourcing as an optimal method of organizing creative interaction in the process of extracurricular activity of an educational organization | 48-61

Anastasia V. Titova, Alexandra Y. Antsiferova, Natalya A. Gorbunova
Musical offering to Sergey Trubachev | 62-68

Abstract: The article covers the analysis of the compositional features and thematic processes in the Harp Concerto of the St. Petersburg composer Boris Tishchenko. Specific features of the performing interpretation of the harp parts in all pieces of the concerto are revealed, thematic links and similarities between the pieces are identified.

Keywords: St. Petersburg harp school, Boris Tishchenko, concerto for harp and orchestra, pedal harp, lap harp (arpa piccola), monogram

Abstract: The article covers the method of analyzing the cantata-oratorial creative work of the Soviet era in the context of the “grand style” (Igor S. Vorobyov). The usage of this method in the study of the work of the Soviet Karelia composers showed that the phenomenon of the “grand style” had its own characteristic aspects of development in the region and required additional modes of analysis such as: the comparison of the stages of the cantata-oratorial genre development, content analysis of the texts in leading periodicals, identification of verbal and musical mythologems that are typical for the region and related to the epic “Kalevala”.

Keywords: art music of Soviet Karelia, “grand style”, “Kalevala”

Abstract: The article covers the experience of implementing projects at the Institute of Traditional Music of the Petrozavodsk Conservatoire. The project work is considered as one of the powerful tools of using information and communication technologies in the development of the conservatoire, which reflects the specifics of the modern information society. By becoming part of the scientific and educational process, project technologies provide the interdisciplinary approach to teaching and to the development of research activities at a creative university.

Keywords: Institute of Traditional Music, musical Finno-Ugric Studies, project activities, project technologies, interdisciplinary approach, scientific research, “Music Journal of Northern Europe”

Abstract: The article examines Crowdsourcing as an innovative way of solving problems associated with collective creative activity. The author describes the possibilities and advantages of this method in comparison with traditional offline methods; gives examples and offers methods of study and implementation of project ideas, shares examples of projects that reached the implementation stage in the acting space.

Keywords: extracurricular activities, creative projects, e-learning environment, organization of independent work